‘I definitely needed a lie-down after that!’ Your most nerve-wracking TV episodes of all time
The 2003 Spooks episode I Spy Apocalypse
The episode begins with the intelligence unit restricted during a training exercise about a potential terror incident, monitored by two government representatives. As things progress, it becomes clear a real incident has taken place and a chemical agent deployed. The suspense builds as incoming communications show a disaster happening externally, and gets worse as the superior shows signs of exposure, and the two Home Office officials attempt to leave, forcing Matthew Macfadyen’s character to choose between firing at them or letting them go and endangering the sterile MI5 environment. As this is Spooks, it is unsurprising which one he chooses.
Threads from 1984
Threads had minimal funding but arguably the most terrifying series I have viewed because of the stark reality and dismal official figures. Saw it not long ago following the initial broadcast; I used to visit the pub in Sheffield from the programme which emphasised the reality and the offhand factual official statements that were transmitted. Still absolutely terrifying after three and a half decades.
The 2022 Severance episode The We We Are
The season one finale of Severance ranks highly among intense episodes. I was throughout the episode actually sitting tensely, pushing alongside Dylan to hold the switches that kept the Innies on overtime, while shouting to the Innies to get their truths out there. The concluding高潮 – “she survives!” – resembled a outburst.
Industry – White Mischief (2024)
Installment five in Industry’s third series made my pulse quicken. I was compelled to halt and rise and depart the area multiple times because of the sheer scale of the deliberate ruin I saw. Rishi Ramdani is in major difficulty at work and home – up to his eyeballs in debt to illegal creditors because of his compulsive gambling, taking such risks with a bet on sterling which could lose his company millions. Naturally, he embarks on a betting frenzy, does tons of drugs and drink and wins, loses, wins, is severely assaulted. Every time you think things cannot decline more, it does. Redemption seems possible as the installment closes but he squanders the opportunity, resulting in dreadful effects in the season finale. Certainly required a rest afterward!
Peep Show – Holiday (2007)
Peep Show is not inherently a tense series. Yet the installment Holiday features such degrees of awkwardness that it can cause you to stand throughout the entire episode, riddled with anxiety. The situation intensifies once Jeremy and Mark find themselves having to lie about the dog they by chance collide with and later efforts to get rid of it. You then spend the rest of the episode wondering if it might be more awful than cremation, and it turns out to be!
The West Wing – The Two Cathedrals (2001)
No other viewing has been as gripping than the first time I watched the second season finale of The West Wing. The show opens with the fallout of the death (in a traffic accident) of the president’s private assistant and reaches a crescendo involving a Haitian emergency, and the fallout from the non-disclosure of the president’s MS diagnosis, coupled with verification of his aim to pursue re-election. Superb programming. Unequaled.
Bodyguard – episode one (2018)
The beginning of the UK show Bodyguard, with the protagonist on a train accompanied by his small son, ranks among the most gripping episodes I’ve seen. He notices a Muslim female entering the restroom and realizes something is amiss. The explosive disposal specialists are summoned, board the train, and try to persuade the woman to remove her explosive vest. Suspense rises to a nearly intolerable level, until, indeed, the vest is disarmed.
Buffy the Vampire Slayer – The Body from 2001
Buffy arrives at her residence to realize her mom has deceased due to natural factors, which is the least common kind of passing in this paranormal series. The episode has no background music, a somber mood, and we view the installment through the lens of Buffy’s astonishment upon finding her mother.
The 2007 The Sopranos finale Made in America
The ultimate sequence of the series finale of the series was extremely nerve-wracking. And if you watched it when it originally aired, you – initially – were uncertain of the reason. Tony’s enemies, real and imagined, had all been defeated. Surely this has the feel of the season one ending? “Remember the little things.” Yet the atmosphere is strangely foreboding. Approaching Twin Peaks-esque horror. The clan sits in an eatery. Meadow finds a parking spot. Tony sadly tells Carmela difficulties are arising with an additional associate cooperating with the officials. Meadow parks the vehicle. Unfamiliar individuals come into the diner. Stare at Tony(?) Meadow is parking. Tony selects a song on the jukebox. Meadow finds a spot. The bell sounds, an individual enters. Can’t be Meadow, she’s still parking. Tony looks up. Keep going. It ceases. My heart sank roughly 20 minutes after.
The 2016 The Walking Dead episode The Last Day on Earth
I stayed up to watch this episode at 2am. It was incredibly tense after the establishment of antagonist Negan discovering the characters, cruelly taunting his victims then not knowing who he killed (finished with an unresolved situation). The first-person perspective of the victim and the muted audio – ugh! {We then had to wait for season seven|We then needed to await season